Watch him open and set up his new StudioLive and then make music with a Hockey Stick… yep!
When announcing the winners of a contest, it’s customary for someone in my position to say something to the effect of “choosing a winner was hard.” That was less the case with our BIAS FX Caption Contest—the winners here really stood out from the rest of the pack, and each member on our highly-qualified panel of humorists laughed with equal aplomb at the Grand Prize Winner. But first, the runner-ups.
The following two captions deservedly win an AudioBox iOne Interface, Studio One 3 Artist, Progression 3, and BIAS FX for iPad.
First, there’s this funny, down-to-Earth, and frankly quite relatable gem from Timothy L.:
Next up, from Matt C., should probably win some sort of Dennis Miller bonus award for its left-field reference. Plus, when you look at the age of most of the pedals in the shot, his choice of “1989” is kinda dead-on.
The Grand Prize winner below was submitted by Jeff K. When you consider the letter-to-humor ratio here, you’ve got one of the most efficient funny captions in the history of such contests. Jeff wins the big ol’ prize batch of Studio One 3 Professional, Progression 3, an AudioBox iOne Interface, BIAS Amp Pro, and BIAS FX for iPad.
Congrats and thanks to all for participating—we’ll be e-mailing the winners ASAP.
With the arrival of the StudioLive RM-series rackmount mixers, we’ve received a lot of questions about the functionality. 96K? Can they be cascaded? What about the Dante cards? When can I get one?
We’ve answered those questions (and more) in the RM-series mixer FAQ, which can be had by clicking here. But we’ve also gotten a lot of other questions that we feel are worthy of their own FAQ—particularly regarding Ray’s beard. While we understand and appreciate your curiosity, we have had to keep some secrets for a while for competitive reasons—but, the cat is out of the bag and we can go public with the announcement of the Garibaldi FH16K. Read below for more info.
The Garibaldi FH16K is a true-analog face-mountable beard that allows for maintaining facial warmth in the coming winter months, as well as unsurpassed soup and juice filtering. Beta testers of the Garibaldi have reported up to a 30% increase in their dates-per-week ratio shortly after concluding installation. Garibaldi is compatible with all walks of life, and enjoys cross-fashion compatibility with both corduroys and flannel.
While currently only compatible with human males over the age of 14, we plan to broaden availability to women and younger users through a hormone therapy add-on kit available in Q3 2015. At the time of this writing we have no plans to make the beard available to Androids.
*Gandalf has not yet tested for compatibility with OSX Mordor, please wait before updating your OS
Spotted this on Peter’s desk. In Baton Rouge, team spirit knows no bounds, but we had to draw the line the last time Rick showed up in full purple and gold body paint. We told him that we sent him home for a shower, but fact is it was really posed a significant health risk.
An interesting bit of recording industry foreshadowing, discovered in a thrift store by our own Carl Jacobson!
This pic is snapped from the back of 1963’s “Dave Brubeck Live at Carnegie Hall.” Tape splicing to edit a performance may seem downright quaint by today’s standards, but this raises a great discussion.
What would Teo Macero say about today’s editing practices in music?
And when it comes to editing a performance, where do you draw the line—if at all? What will you NOT do?
Here’s a great video covering the soundtrack production for “Man of Steel,” the latest cinematic adventures of DC’s Big Blue Boy Scout.
If you’ve ever tried to get just the right drummer for your project/band, this video may well make you cry, as Hans Zimmer gets to use Matt Chamberlain, Sheila E., Josh Freeze, Pharell Williams, Danny Carey, John JR Robinson, Jason Bonham, Satnam Ramgotra, Toss Panos, Jim Keltner, and more—simultaneously.
Once you’ve recovered from geeking out over a dozen of the world’s best session drummers all working together in the same room, take a closer look at the studio setup for this. The group performs on twelve risers arranged in a circle, with all individual drums miked, plus overheads, plus room mics. The result is a thunderous surround-sound mix of drum bangin’ that puts the listener in the middle of what must have been the world’s greatest drum circle.
[This just in from Steve Freeman, National Director of Camp Jam, far and away the rockinest summer camp that kids have ever known. A great guy, and a great organization that we are proud to have a hand in.]
These kids are growing up right, using Studio One and the StudioLive mixers to learn recording and mixing. The StudioLive 16.4.2 is being used to mix and record performances from both the campers and visiting artists! Studio One Artist continues to be the DAW format for our recording/songwriting class.
The features and simplicity of StudioLive and Studio One have our camps running smoothly, and make a real difference in the sound of the recordings and performances. Campers are all being given a PreSonus code to download Studio One Artist. We could not be happier with PreSonus and their efforts to support Camp Jam and music education!
THANKS TO ALL OF YOU. YOU ARE INCREDIBLE! These are pictures from Atlanta—we will send from other cities as we move through the summer. If you’re interested in Camp Jam, please contact us, summer classes are filling up fast!
Camp Jam, LLC
Look, there’s no two ways around it—polyrhythms are HARD. Playing one beat at a time is difficult enough for some folks, but how about playing a three-count beat with your left hand and a simultaneous four-count beat on the right? Moving on to other time signatures, particularly in odd meter, doesn’t just add to the difficulty—it multiplies.
Until today, I had never before seen such a lucid, impressive, and concise demonstration of polyrhythms as robertinventor has assembled on his YouTube channel. His expertly-crafted visuals (created with his own software, Bounce Metronome) drive home the timing in a much more digestible manner than the best drummer you know may be capable of. All of these videos begin at a slow tempo and gradually accelerate. Play along!
The playlist embedded above has some of the more rudimentary demonstrations robertinventor offers. Once you’ve picked your jaw up off the floor and are ready to move forward, I strongly recommend checking out the rest of his channel for a look at more advanced, esoteric polyrhythmic concepts, including syncopated harmonic polyrhythms, sonified pendulum waves, and my personal favorite, the Inharmonic “Golden Rhythmicon” Fibonacci Sequence.