PreSonus Blog

The nice folks over at BoKsis just posted this flattering review of the Central Station PLUS, awarding it 4.3/5 stars! Thanks, guys! We, in turn, would like to award you 5/5 stars. Readers can, and should, read the full Central Station review, and many other reviews of cool stuff from BoKsis, by clicking here. While you’re waiting for that page to load in another tab, here’s a taste of what’s to come:

“The feature count is high, the sound quality is very good and it is a thoroughly well designed and built unit.”

 

 

 

Category Review | 0 Comments »
Posted by Ryan Roullard



This video doesn’t need a Central Station Remote to be cool—but it helped a little. Check out this cool documentary on how Apple’s Siri came to find her voice, and watch quick for the Central Station PLUS remote at just after the 3:00 mark.

Read the whole story from The Verge here.

Category Central Station | 11 Comments »
Posted by Ryan Roullard



[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do?

My name is Graham Cochrane. I am a producer, engineer, songwriter, and worship leader based in Tampa, FL. I’m also the founder of The Recording Revolution, a popular audio training resource.

How were you introduced to PreSonus?

Word of mouth, years ago.

What PreSonus software/hardware do you use and for what purpose?

I currently have a Eureka and ADL 700 in my rack. Both are excellent preamps and channel strips that make recording easy and fun. I’m using the Central Station Plus for monitoring. I also do all of my mastering in Studio One Professional. Love that project page!

What’s so great about PreSonus, anyhow?

You guys make great products, and make them available at real-world prices, and you have an obvious passion for making music. What more could you want?

What’s the last big project that you worked on using PreSonus gear?

I tracked my band’s most recent EP using just about nothing but the Eureka on the front end. Everything I’ve mastered this year has been exclusively in Studio One.

What are you working on now—or next?

Mixing for a few bands this summer. Also writing a new solo album. I’m always making content for The Recording Revolution including a recent video series called Mastering With Stock Plug-ins that was done all in Studio One. It’s free, you should check it out!

Where can our readers learn more about you online? 

www.TheRecordingRevolution.com

www.GrahamCochrane.com

www.Twitter.com/recordingrev

www.Facebook.com/recordingrevolution

Category Studio One | 1 Comment »
Posted by Ryan Roullard



 

[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do? 

Rhett Mouton: Producer, engineer, writer/composer.

How were you introduced to PreSonus?

Years ago I was asked by a young band to go to their rehearsal studio to help them record a song. That rehearsal studio turned out to be in Jim Odom’s back yard.

What PreSonus software/hardware do you use and for what purpose?

I use the Central Station for monitoring, ADL 600 for obvious reasons, StudioLive 24.4.2 for live sound and multitracking, Studio One 2 Professional for writing, composing, producing, mixing and mastering.

What’s so great about PreSonus, anyhow?

They always seem to be thinking a step ahead of the curve when developing new products.

What’s the last big project that you worked on using PreSonus gear?

I produced, mixed, and mastered a band called Meriwether’s debut album titled, “Make Your Move” which resulted in a distribution deal and record deal with Suretone/Interscope records.

What are you working on now—or next?

I am currently mixing and mastering projects for clients. I am also composing/writing original music with the intention of licensing for placement in film, television and video games.

Where can our readers learn more about you online?

rmmaudio.com

Facebook.com/rmmaudio

Facebook.com/rhettmouton

Category Studio One | 0 Comments »
Posted by Ryan Roullard



[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series.]

Who are you, where are you, and what do you do?

Steve Savanyu. Hudson Ohio,  I am the educational services director at Audio-Technica and teach at Kent State University. I teach microphone and wireless workshops at universities around the country and have taught at all of the PreSounSphere events… In my spare time I operate Buford T. Hedgehog Productions, a local production company that does live sound, studio recording , live remote recording, video production and lights just for giggles. I also participate in really big events such as Presidential Debates, Papal visits, and Inaugurations….

How were you introduced to PreSonus?

Through a friendship with Rick Naqvi, at a church sound seminar where I was teaching a microphone class. I assisted with a live recording at the event where we used 3 FirePods aggregated together on my Mac laptop. It was a fun experience and we learned a lot. Ask Rick about hot patching into a non-transformer isolated 48-channel stage snake splitter. It made a big noise on a really expensive NEXO line array…. Oops.

What PreSonus software/hardware do you use and for what purpose?

Where shall I begin? I currently own 5 StudioLive 16.4.2’s, one StudioLive 24.4.2, and 1 StudioLive 16.0.2 which I use primarily for live gigs. I also have been known to carry the 16.0.2 out as the front end for remote tracking sessions using Capture. (I have recorded the orchestral score for two Kent State Student films this way). My original location rig is a FireStudio with 2 Digimax Pres to give me 24 inputs. (I multitracked a basketball game with it for an Audio Technica project. We were showing how different mics and positions affected game sound for broadcast.) In the studio I have a Central Station with remote for speaker management, and a FaderPort  which I use as a controller for the audio part of my video edit rig. I picked up an AudioBox 44VSL for location video work (tied into a MacBook Pro laptop). I run a legacy Pro Tools rig in the studio with a DIGI-003 interface (back when ProTools required Digi hardware) with DigiMax D8 mic pre. The band I work with uses two of the 16.4.2s and performs about four nights a week on average (in different locations). The ease of operation on the StudioLive console and the ability to save scenes makes it a snap for the band to use.

On the software side, I use Capture to record almost every live event we do. The low overhead of capture allows me to use some pretty basic computers to record up to 32 tracks via two linked StudioLive 16.4.2s. In the studio, I have been using Studio One Professional 2.5 as my main edit software. I like it, as it’s intuitive and has low computer processing overhead so it runs great on a laptop. As an experiment, I mixed a seven-song EP of a band I work with on a flight from LA to New York! I was burning out the CD as the flight attendant was saying power down your electronic devices for landing. Of course my Audio-Technica ATH-M50 headphones made accurate monitoring possible in the plane’s less-than-fancy mixdown environment.

I have dabbled with iPad control on my larger rig, but not implemented it completely due to the expense of buying seven iPads, computers and routers. I am looking forward to the StudioLive 32.4.2AI with its built-in networking. I can beta test… :)

 

What’s so great about PreSonus, anyhow?

First and foremost is the people! I have called Justin and Rick on weekends and evenings with questions and they always get back to me promptly. I have participated in both PreSonuSphere events and like the camaraderie of the entire PreSonus Family.

Second, is the products just work and sound good. They are intuitive to learn making it easy for me to train a band’s engineer on using a digital board. We like the fact the processing is built-in to the StudioLive consoles. The presets sound great, and make it easy to get a mix up even if you have never done sound for the band before. True story: Early on we did a gig for a band who was unfamiliar with the power of a digital console. It was an outdoor event so I had the 16.4.2 out front with the snake and a power cable for FOH stuff.  Their diva lead singer, who knew everything about sound and told me so, was being a pain in the butt.  He walked out to FOH, looked at the “smallish” console and said “dude where is your effects/EQ rack?” I hesitated for a moment and looked him in the eye and said: “Dang, I knew we forgot something…” The look on his face was priceless…

And third of course,  is the jambalaya…

Where can our readers learn more about you online? 

First and foremost, check out the Audio-Technica.com website. A-T makes great studio and live mics that pair up well with PreSonus hardware. Our new AT5040 with its revolutionary capsule design and “pure, simple signal path” would pair up well with the ADL 700 Channel Strip (hint hint, I have the mic…) Our Artist Series and Artist Elite live sound mics are second to none.

As for me, check out my website www.bufordthedgehog.com and visit me on Facebook. I try to post a FOH picture of every gig I do either on my page or the PreSonus user group page. I am on LinkedIn but don’t do the Twitter thing.

You can see some of my video work on the A-T YouTube channel as well as other audio companies’ YouTube channels. I have several published articles about doing audio for video and I am the audio expert on the FilmSkills online training series produced by Jason Tomuric.

I attend all of the major trade shows: NAMM, INFOCOMM, NAB, etc. and do microphone and sound workshops at universities, church conferences (with my good friend Doug Gould) and trade shows. You can’t miss my distinctive look…. just ask for the blonde guy!

 

Category VSL | 1 Comment »
Posted by Ryan Roullard



[We decided it best to give some recognition to our more vocal advocates—and what better way than via a blog series?]

Who are you, where are you, and what do you do?

My name is Johnny Geib and I live in Wheeling IL, 24 miles northwest of downtown Chicago. I work 3rd shift for a company contracted by the IL Tollway to do maintenance and systems support of their Toll Collections systems. 45+ hours a week and never a dull moment. Part time, I run a home-based recording facility for both clients and my own music, and have been doing so for more than 25 years. I started out with a 4-track Tascam, then a Fostex Open Reel 8 track, graduated to a VS2480 in 1998 and Akai DPS24 a year later.

 
How were you introduced to PreSonus?

I was a Cubase\Nuendo user from 2003 till I discovered Studio One 1.0 when I bought a Firestudio Mobile. I used the FS Mobile with Cubase and a FaderPort till I upgraded to Cubase 5. The update was a disaster and put me out of business for a month. That’s when I remembered the free copy of Studio One Artist that came with my FS Mobile. Since I had to get something done while I waited for tech support to get back to me, I installed Studio One Artist and was totally blown away. I was recording and mixing within an hour and saved two clients that were ready to walk because of the delay. From that point, I never looked back and purchased Studio One Professional that following Friday. I have been a PreSonus fan boy since. And now, with PreSonus making studio monitors, my studio is about 95% PreSonus!

 
What PreSonus software/hardware do you use and for what purpose?

Well, not sure you’ll have room for this list in the blog but here goes: Studio One 2.5.2, Capture, Monitor Station, FaderPort, Audiobox 22VSL, AudioBox 1818VSL, Studio Channel, FireStudio Tube, FireStudio Mobile, HP-60 headphone amp, Eris E5 monitors, two M7 mics, two SD7 mics, three HD7 headphones, DIGITube and a StudioLive 16.4.2!
 
What’s so great about PreSonus, anyhow?
Presonus gear and software together just works!!! If you have Studio One, you know ANYTHING PreSonus will work with it. There’s a template or a preset for everything. Nearly zero setup time, great tech support and simply the best users forum in the universe. PreSonus’ techs actually read it and even post solutions for anyone having problems with any PreSonus gear and software. I’ve had the pleasure of attending a PreSonuSphere conference and actually sat down with several PreSonus staff members and they are simply the greatest collection of people that I’ve ever met.
 
Where can our readers learn more about you online?
My main website is www.homestudiotrainer.com where I train people how to setup their own home studios (and yes, Studio One is the main DAW) and many of my own songs, all recorded and produced in S1, can be found at https://soundcloud.com/johnny-geib.
Lastly, My Twitter ID is @JohnnyThemuzic. Thanks for the opportunity to share this! You can find me on the Studio One forums with the “Bat” avatar as themuzic!

Category StudioLive 16.4.2 | 61 Comments »
Posted by Ryan Roullard



[This just in from Jody Whitesides, accomplished singer/songwriter/composer/PreSonus devotee…]

Once in a while I’m asked, “What would you consider you’re best piece of music?” I would have to go out on a limb and say there’s no way to choose which of my creations is my best, much like a parent can’t choose between their kids. I have to let others make that choice. Those choices are what happens when music I’ve created is used to help support other’s creations in TV,film, or games.
I’m fortunate to be getting a lot of placements and uses of my “children,” or as most would call them: songs! Getting to that artistic end result and making what I hear in my head a reality that can be shared with the world is a real pleasure. In making any song a reality, I end up using tools that I know will deliver the quality I need. The PreSonus Monitor Station is a staple in my studio. It’s vital in making it easier to get a great mix.

In the last three months I’ve had the following placements. In every single one of them, I’ve used the Monitor Station. Don’t let your creations leave the studio without using it!

NASCAR on Fox
OH Sit!
The Late Show with Craig Ferguson
Design Squad Nation
American Digger
American Ninja Warrior
Angel’s baseball
Atlanta Braves baseball
Auction Hunters
All My Children
Bang For Your Buck
Brave’s Live
Big 12 Live
Beverly Hills 90210
Brothers & Sisters
Cardinal’s Live
Cowboys Game Night (NFL)
Detroit Tigers Live
Dodger’s Live
E! News
High School Scoreboard
High School Spotlight
How I Made Millions
Lonestar Conference Showcase
MLB Tonight
NASCAR Raceday
On The Fly
One Life To Live
One Tree Hill
Rangers Insider
Rangers Live
Samsung Mobile 500 Preview Show
Selection Sunday 12
Sportsday NFL Draft Special
Sportsday On Air
The Rundown
Tigers Live
Veronica Mars
World’s Strictest Parents

hearjody.com

jodywhitesides.com

Category Monitor Station | 126 Comments »
Posted by Ryan Roullard



[This just in from Siegfried Meier at the stunning Beach Road Studios!]

Pretty!

Hey PreSonus team!

At Beach Road, we use a few pieces of PreSonus gear that are in regular use each and every day. At the forefront of our monitoring rig, we use a Central Station that has a custom built PSU by none other than rad PreSonus audio dude Chad Kelly. The unit was awesome before, but has been made more awesome by this simple upgrade. We also make heavy use of a FaderPort during all of our tracking and mixing to have some hands-on control when setting up the sessions.
Furthermore, we’ve also got a mobile recording rig that is comprised in part by a pair of PreSonus Digimax LT units, which are used to capture anything from drums to guitars to vocals on our remote sessions. The mic pres in the LT’s are fantastic, (as are all of the PreSonus pres,) and pack quite a punch in such a small 1U space. A PreSonus HP4 handles all of the headphone duties, since the amps are so blisteringly loud, and the unit is über small and fits in well when trying to keep the load light on the road.
Studio One Professional 2  gets a lot of use as well. It’s used on our main rig for simple editing and mastering, as well as on our mobile rig for the same. We also keep it installed  on both our playback and recording rigs in our high-end mastering room for various tasks.

Category Uncategorized | 10 Comments »
Posted by Ryan Roullard




Paul Charbonnet
Mulisha Media
Justin Spence

Category StudioLive 24.4.2 | 22 Comments »
Posted by pcharbonnet



Category Central Station | 1 Comment »
Posted by PreSonus