Arena-rock mainstays Def Leppard have always made top-quality vocal production a priority of both their albums and their live shows. Toward that end, they’ve chosen the ADL 700 as their preamp of choice for lead vocalist Joe Elliott.
Check out this great video from session drummer and recordist Luis Hernandez on using the ADL 700 and Studio One to record a jingle for HBO Latino. If you’re looking for some workhorse secrets from a guy who’s working in music full-time, don’t miss it! Luis shares some of the secrets of his signal chain, and some of his favorite EQ settings for using the ADL 700 on kick and snare—particularly as it pertains to filtering high-hat sounds from his snare mic.
Compression is an oft-misunderstood and sometimes over-used effect that enjoys (?) a wealth of online forum punditry. Sonic Sense has done an exemplary job here in plainly illustrating the rudiments of compression while cutting the crap. This video begins by demonstrating exactly what the basic compressor controls do, and then follows up with audible examples of the compressor being applied during tacking AND in a full mix, so you can very clearly hear the effect applied in the context of a full song. Demos include vocals, snare, and bass.
Thanks to Sonic Sense for not only clearing up some of the mysteries of compression, but also for choosing the ADL 700 as the right tool for the job.
Taylor Nauta consistently sounds great, and we felt that the ADL 700 and ADL 600 preamps would really do his tones justice. So, we invited him by the new HQ, brought him to the live room, and recorded a few tracks.
Taylor’s voice is running through the ADL 700, and his guitar is recorded through a direct input into the first channel of the ADL 600, as well as by a mic run into the second channel.
[This just in from Guido Craveiro, who is taking his StudioLive on the road with his band, Maxim!]
Recording a guitarist with as signature a technique as Steve Dodds introduces some unusual recording quandaries. Fortunately for 5aint, his PreSonus AL 700, ADL 600, StudioLive digital mixer, and Studio One DAW provided everything he needed for the task at hand.
Dodds’ signature “guitabla” stylings are in high demand, as he has been a prolific session player and frequent collaborator with the likes of Steven Stills, Sarah McLachlan, Karen Eden, and more, having worked on projects with notable producers like David Kershenbaum, Jill Joes, Alan Moulder, and Martin Page. His more recent focus has been on his dynamic, genre-blending solo material.
PreSonus was proud to be a part of the 2013 ASCAP Songwriters Retreat, held September 25th to October 4th at the 14th-century Château Marouatte in the Dordogne region of France—an inspiring place for the lyrically inclined.
And that’s the point. ASCAP has designed this retreat to bring out the best in talented writers. This year’s 30+ participants were divided into different groups, every day, to write and record, keeping collaborative spirits fresh and healthy. At the end of the session, attendees return home with renewed artistic vigor, their hearts and hard drives full of song.
In fact, a dozen of the songs written at the camp this year are already on hold for major label artists, including The Temper Trap, Kelly Clarkson, Melanie Fiona, Nylo, Jessie Malakouti, and Jon Bellion.
PreSonus was happy to provide a metric heap of equipment to foster the creative process, including:
Photos from the event follow, as well as a kind thank-you video from the songwriters themselves. You’re welcome, folks, and we hope you wrote enough hits to fill a 14th-century dining hall. Read more about it here.