Studio One doesn’t have a transient shaper plug-in…in theory. In practice, there’s a zero-latency, artifact-free transient shaper that’s ideal for emphasizing the attack in drum parts (and other percussive sounds as well, from bass to funky rhythm guitar). Here’s how to do it.
The copy now has the transients isolated from the rest of the loop. Vary the mix of the copied track and the original track to set the balance of the emphasized attack with the loop’s “body.” (Studio One programmer Arnd Kaiser suggests this process might be a good candidate for a macro—that’s an excellent point.)
This technique is particularly effective with acoustic drum loops, because the drums tend to ring longer—so creating a copy as described makes for a super-percussive sound compared to the original loop.
Try this, and you’ll be shocked at how this can make drum parts become more vibrant and “alive.” However, there is one unfortunate side effect: now I wish I could go back and remix all my songs that have drum tracks!