PreSonus Blog

Monthly Archives: July 2018


Friday Tip: Reverb Chord Progressions? Why Not!

The more I play with Harmonic Editing, the more I find it can do things I never expected. Check this out…
One very useful Studio One feature is being able to record a track output into another track’s input. I take advantage of this sometimes by recording effects like reverb or envelope filter (set to effect sound only) into a track. This allows using Inspector features like transpose and delay, as well as have easier control during the mix.

 

So imagine my surprise when I set the reverb-only track to follow the Chord Track—and ended up with a tuned reverb chord progression! The following audio example gets the point across. The first four measures have the original reverb sound, the second four measures have the reverb processed by the Chord Track…pretty amazing.

 

 

There’s one caution: The only Follow chords mode that works for this is Universal. The Tune Mode doesn’t seem to matter, so I just use Default.

 

Extra bonus coolness tip! Drums can follow the Chord Track, again in Universal Mode, for a “drumcoded” effect (i.e., similar to drums “vocoding” something like a pad). Although there’s no way to do a wet/dry balance of the melodic and non-melodic components, you can copy the track, have only the copy follow the Chord Track, and adjust the mix between the dry and Chord-Track-following track.

 

The mind boggles.

Friday Tip: The Secret of Virtual Octave-Divider Bass

Seems simple enough, right? Copy the bass track, edit with Melodyne, and drop all those adorable little orange blobs down an octave. So you do that and… well, it just doesn’t sound all that impressive.

The secret to a great octave-divider bass sound is EQ. Insert a Pro EQ in the track you octave-divided with Melodyne, and edit the settings as shown in the screen shot. The goal is to remove most of the high frequencies that have pick and finger noises—we already have enough in the primary bass track, so adding more artifacts just clutters the sound.

The screen shot shows a High Cut setting of about 600 Hz; you can take it down further, but when the frequency reaches about 200 Hz or so it sounds more like a synth sub-bass (not necessarily a bad thing, especially if you add a little limiting).

And that’s really all there is to it. When you bypass the EQ as a reality test, you’ll hear for yourself why EQ is indeed the secret of virtual octave-divider bass.

 

 

Notion Fingerstyle Acoustic Guitar 30% OFF – July 2018!

Click Here for More!

Only for the month of July 2018, we’re offering 30% off the Fingerstyle Acoustic Guitar for Notion directly from the PreSonus Shop!

If you’re looking to add some acoustic instruments to your mix, this add-on has you covered... It includes sample variations for open strings, hammer-ons, pull-offs, slides, and left-hand and right-hand fingering control. And techniques including Plucked, Hammer-on, Pull-off, Palm Muted, Left Hand Mute, Natural Harmonics.

This bundle plays nice with  Notion 5.1 or later.

Click here to purchase! 

Studio One Channel Strip Collection – 30% Off for July 2018!

You want seconds? Here you go:  30% off the Channel Strip Collection!

The PreSonus Channel Strip Collection for Studio One Artist and Professional provides a unique way to add tasteful depth and color to your tracks and mixes without leaving the box. Included in the collection are the RC500 and VT1 modeled channel strip plug-ins. RC500 is modeled after the PreSonus RC500 FET Channel Strip. VT1 is a modeled on a high-end tube channel strip. In addition, the free standalone VU Meter plug-in is made from the same components used in the Channel Strip Collection.

 

Click here to purchase the Channel Strip Collection!