Kimberly Thompson is a world-class musician, producer, engineer, composer, and educator whose work has included gigs with Kenny Barron, Jay-Z, Kanye West, George Michael, Alicia Keys, and Beyonce. She’s recently moved from another well-known DAW to Studio One, and says she’ll never go back.
“Everything with Studio One is crystal clear,” says Thompson. “I’m able to hear all those ghost notes, those staccato notes, all that stuff that often gets lost in the mix. It’s an amazing program—it picks up the nuances of the sticks, the depth of the snare, and the classiness of the traditional brush strokes in jazz. It nurtures my sound while I’m recording live. I don’t feel the temptation to over-use EQ anymore—in many cases I don’t use it at all.”
Studio One’s intuitive workflow also scores high marks. “It’s a really easy program to work with, whether you’re approaching it as a producer, an engineer, a musician, or all of the above,” she observes. “Studio One enables me to keep working and be more productive.”